It seems on
face value, perfectly reasonable to conceive of asking questions to get at the
truth. When reading or watching TV I often think ‘is that true?’ ‘what is the
truth behind that?’ and I’m sure you probably do to.
But what do we
mean when we seek the truth in something? Does truth equate to Factualness? Or
authenticity? Or righteousness? Or
other measures?
I pretty much
think the notion of ‘truth’ is very difficult to handle in research that has a
social basis (like a professional enquiry that seeks insights relating to
professional practice as a social entity). This may be because truth is partly founded
in the notion that something can be understood as factually correct. Now that
is fine in the natural sciences (e.g. physics, biology, chemistry etc.) because
the natural sciences seek to test empirically the basis of any fact statements.
So for example, from a natural science perspective, we can be completely positive
in stating that the Darwinian Theory of Natural Selection is true. It is
established, scientific fact. But it is important to note that it may be true
as a scientific fact, yet fail as a theological (social) truth. Within
particular theological conceptions, Natural Selection is not true because it
does not agree with particular theological teachings. Illogical as it might
seem, when operating within certain religious contexts, Natural Selection is
untrue.
Within
professional practice, we seek to use social scientific methods to explain the
human condition and experience. In doing so we recognise that any explanation
is contingent on the particular social, cultural, political, economic,
geographical and historical context that the experience exists within. To say
there are underpinning ‘truths’ is to grip the experiences too tightly,
squeezing out the relevance and meaning that comes from the situations in which
the experiences occur.
So perhaps we
should not ask whether something is ‘true’. But rather ask ‘what different
possible accounts can we give for a particular phenomena?’ and ‘to what extent
do we think one or more of these explanations is useable or worthwhile within a
specific context?’ In making these assertions, we may seek underlying features
(we call these generalisations) however in a great deal of social science research,
absolute generalisable rules have to live alongside other features such as
relevance of knowledge in a particular context.
The tighter
and more specific the focus of our questions, the more we can block out the noise
from all the different situations and contexts in which our questions could be
posed and that would lead to different responses.
When we ask ‘What
is the best way to teach Ballet’ we carry notions of absolute truths. The
question starts with the premise that there is actually only one ‘best way’.
The question ignores the range of situations, places, times, cultures, age
groups etc. in which ballet may be taught.
Better perhaps
to ask ‘In this very specific given situation, what different approaches to teaching
Ballet produce what effects?’
You may like
to view my previous Blog on the-art-of-asking that relates to this post.
Brings to mind Pilot jokingly asking Jesus, "What is Truth?" Surely Truth can only be as we perceive it....? We can only form our ideas of Truth from our own experiences? We have to attempt to broaden our concepts and try 'to walk in another man's moccasins' but how far do we go? Did Hitler think his ideas were truth?? Can we only depend on our conscience or our inner voice? In fact 'to thine own self be true...etc....' very bewildering really!
ReplyDeleteVery interesting post, Alan, I can really relate to the 'best way to teach ballet' because I remember at school I had many different teachers from different backgrounds and they were alway arguing which was the best method. In reality, all styles and methods helped me as the career of a dancer is flexible and varied, not all choreographers want to have dancers from one 'style' or 'method' as it can be restrictive. a fusion of styles is often the most interesting solution.
ReplyDeleteLooking for the 'truth' behind my inquiry has shown me that there are so many sides to the effects of the budget cuts in dance, and that at the beginning of my research I could only see one perspective, the dancers. After performing my research I have found several 'truths.'
Alicia, I doubt a fusion of styles would be Balletically ideal! What are we understanding by style here? Bournonville for La Sylphide? The Imperial Russian for Swan Lake? We have to cherish style or we lose the quality and intention of movement in each Ballet. If we, by style, mean RAD, ISTD then I think they have all miss the boat as training methods. They have wandered away from the basic principles, the basic truths, of movement. They argue about what they do with their extremities, what positions they make, instead of regarding the Dancer's body as a Physical entity traveling through space. In this regard there are the certain inescapable universal truths of the material world. If I hold back on my linking step I shall propel myself like a catapult into the air. Though we do know even these material truths are susceptible to the Chaos theory where they are 'true' only 99% of the time which ensures a continued process of change!
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